Pairing the curve with my lovely sharp 1" TH. Witherby, I like mahogany.
Careful cuts here, any f-ups will be painfully visible on the piece any time the leaves are up. We don't want that.
Finished spur, details like these tell you than this table has handwork in it, there is just no way to do a sharp inside corner like this with powered machinery.
Scraping the edges down, there is a bit of tearout that even the spiral downshear bit couldn't deal with. This will clean all of that up.
On a completely separate note, one of my students recognized a picture I have of a Mike Dunbar double Windsor I have in my office (I have a lot of machinery prints, etchings from the Centennial Exhibition, and furniture photographs about), apparently her friend took a class with Dunbar in Philadelphia a few years ago and loved it. Damn, missed the boat on that one.
No comments:
Post a Comment